femme de trente ans La French Edition edition by Honoré de Balzac Literature Fiction eBooks
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femme de trente ans La French Edition edition by Honoré de Balzac Literature Fiction eBooks
As usual with Balzac, we enjoy wonderful descriptions of the outside world, such as the Loire Valley, and equally wonderful descriptions of the naivety, misfortunes and sufferings of the main character. However, these are constantly spoiled by layer upon layer of his preaching on all sorts of subjects : the condition of women, separations, village life, Parisian life, fashion, military mentality, etc. His analysis is often subtle, but remains irrelevant to the plot. We know how that woman feels : he’s described it masterfully. We are not dim-witted children. So, why does he persist in explaining what just happened and then, just in case we hadn’t got it, explaining it again ?In the days when the Reader’s Digest published shortened versions of classic novels and modern best-sellers, I had mixed feelings about that kind of approach. For Balzac, it would be entirely justified. The result would be stunning.
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femme de trente ans La French Edition edition by Honoré de Balzac Literature Fiction eBooks Reviews
La femme de trente ans , C' est une histoire tres interesante!
I would suggest that you read this book!
As usual, Honoré de Balzac way of writing! Lot of descriptions, phrases which never end. But so nice a style!
This was my first book by Balzac and I enormously enjoyed it. Although events happen during periods of about 200 years ago, the human psychology and emotions are still valid, especially the inner sufferings of a woman from youth to the end of her life.
Highly recommend to everyone - singles as well as married ones, women as well as men.
I thought really good but I think I like the Maitres Sonore a bit better by George Sand which I'm reading right now - as really keeps you up in the air and tends to keep the interest a bit better - this was really good though no doubt -
This book starts out as very promising, dealing with Paris, minor aristocrats, and the era of Napoleon. It quickly diminishes into a plot that has very little action . The descriptions of nature and the analyses of sentiment go on ad nauseam. About two-thirds of the way through the book, it appears that the author has run out of ideas to move the plot forward, and he resorts to incredible twists in the action such as a mysterious stranger knocking on the door in the middle of a blustery winter night--with whom his daughter runs off, and pirates seizing ships off the coast of France. This book was so disjointed that I had trouble finishing it. It is hardly worthy of Balzac and I do not recommend it.
As usual with Balzac, we enjoy wonderful descriptions of the outside world, such as the Loire Valley, and equally wonderful descriptions of the naivety, misfortunes and sufferings of the main character. However, these are constantly spoiled by layer upon layer of his preaching on all sorts of subjects the condition of women, separations, village life, Parisian life, fashion, military mentality, etc. His analysis is often subtle, but remains irrelevant to the plot. We know how that woman feels he’s described it masterfully. We are not dim-witted children. So, why does he persist in explaining what just happened and then, just in case we hadn’t got it, explaining it again ?
In the days when the Reader’s Digest published shortened versions of classic novels and modern best-sellers, I had mixed feelings about that kind of approach. For Balzac, it would be entirely justified. The result would be stunning.
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